Overview
Hector Berlioz combined writing music with lively and informed music criticism. This collection of articles, engagingly translated by Roger Nichols, covers the middle years of his critical career.PRESTO MUSIC BOOK OF THE MONTH JUNE 2025
Berlioz's music criticism from 1837 to 1850 covers a period druing which he composed some of his finest works, and travelled abroad to perform them before appreciative audiences in Germany, Russia, and England. Roger Nichols has chosen and translated extracts from fifty-eight articles of particular interest, with commentary and notes identifying people mentioned. Berlioz scholars Peter Bloom and Julian Rushton provide an informative introduction and a comprehensive editorial apparatus.
In the selected articles Berlioz discusses Paris performances of early and modern music, including new operas and revivals, and concerts at the Paris Conservatoire. He comments freely but with understanding on conductors, singers and instrumentalists. The essays demonstrate the composer's concern with innovation in the design of musical instruments and assess the quality of performing venues. Berlioz writes on the musical life of London, France, and Germany, most entertainingly about the inauguration of statues of Beethoven and Rossini. The selection is framed by major articles on "Imitation in Music" and on Gluck's opera Alceste.
The book, Berlioz the Critic: Selected Writings from 1837 to 1850 [Bulk, Wholesale, Quantity] ISBN#9781648250736 in Hardcover by Roger Nichols may be ordered in bulk quantities. Minimum starts at 25 copies. Availability based on publisher status and quantity being ordered.
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